Related Paintings of Marcus Gheeraerts :. | queen elizabeth l | captain thomas lee | Portrait of a Lady | Portrait of Susanna Temple | Portrait of Queen Elisabeth I | Related Artists:
Sawrey Gilpin1733-1807
English
Sawrey Gilpin Gallery
Gilpin was born 30 Oct 1733 in Cumbria, the son Captain John Bernard Gilpin, a soldier and amateur artist. His elder brother William Gilpin was a clergyman, schoolmaster, and author of several influential works on picturesque scenery.
Apprenticed to the marine painter Samuel Scott of Covent Garden, Sawrey came to specialise in painting animals, particularly horses and dogs, which he sometimes added to backgrounds by other artists, including Philip Reinagle, George Barret and J. M. W. Turner. He was patronised by Prince William Augustus, Duke of Cumberland. Gilpin was Director and President of the Society of Artists, and a member of the Royal Academy from 1796.
Sawrey Gilpin married Elizabeth Broom; their son William Sawrey Gilpin also became an artist, and in later life a landscape gardener.
He died at Broughton, Northamptonshire, England in 1807.
Works by Sawrey Gilpin are in the collections of the Courtauld Institute of Art , Tate Britain [3], and the Royal Academy in London and the Fitzwilliam Museum, Cambridge.
Alfred Thompson Bricher1837-1908
Alfred Thompson Bricher (born in Portsmouth, New Hampshire on April 10, 1837; died in Staten Island, New York on September 30, 1908) was a painter associated with White Mountain art and the Hudson River School.
He began as a businessman in Boston, Massachusetts before becoming a professional painter. He studied at the Lowell Institute when not working. He also studied with Albert Bierstadt, William Morris Hunt, and others In 1868 he moved to New York City and in the 1870s primarily did maritime themed paintings.
Pierre-Auguste RenoirFrench Impressionist Painter, 1841-1919
French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters.
His critical reputation has suffered from the many minor works he produced during his later years.